User talk:SusanMee - Revision history

SusanMee: /* Norwich Stuffs */

2018-04-15T15:48:32Z

‎Norwich Stuffs

SusanMee: /* Norwich Stuffs */

2018-04-15T15:46:55Z

‎Norwich Stuffs

SusanMee: /* Norwich Stuffs */

2018-04-15T12:12:04Z

‎Norwich Stuffs

SusanMee: /* Norwich Stuffs */

2018-04-15T12:09:40Z

‎Norwich Stuffs

SusanMee: /* Norwich Stuffs */

2018-04-15T12:06:54Z

‎Norwich Stuffs

SusanMee: /* Norwich Stuffs */

2018-04-15T12:01:58Z

‎Norwich Stuffs

SusanMee: /* Norwich Stuffs */ new section

2018-04-15T11:08:26Z

‎Norwich Stuffs: new section

PaulaMarmor: /* Black hoods */ live

2018-03-22T18:18:14Z

‎Black hoods: live

SusanMee at 11:06, March 21, 2018

2018-03-21T11:06:18Z

SusanMee at 11:05, March 21, 2018

2018-03-21T11:05:05Z

← Older revision		Revision as of 15:48, April 15, 2018
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	== Norwich Stuffs ==		== Norwich Stuffs ==

−	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750,'' Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565, The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650: ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.	+	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750,'' Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650: ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.

← Older revision		Revision as of 15:46, April 15, 2018
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	== Norwich Stuffs ==		== Norwich Stuffs ==

−	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750, Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650: ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.	+	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750,'' Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565, The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650: ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.

← Older revision		Revision as of 12:12, April 15, 2018
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	== Norwich Stuffs ==		== Norwich Stuffs ==

−	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750, Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650:''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.	+	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750, Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650: ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.

← Older revision		Revision as of 12:09, April 15, 2018
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	== Norwich Stuffs ==		== Norwich Stuffs ==

−	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ~~'''~~''The Fabric of Stuffs: The Norwich Textile ~~Industry~~, c.1650-1750~~'''''~~, ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650 - ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.	+	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750, Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650:''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.

← Older revision		Revision as of 12:06, April 15, 2018
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	== Norwich Stuffs ==		== Norwich Stuffs ==

−	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, '''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''', ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650 ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.	+	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, '''''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''''', ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650 - ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.

← Older revision		Revision as of 12:01, April 15, 2018
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	== Norwich Stuffs ==		== Norwich Stuffs ==

−	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. ~~Ursual~~ Priestley, '''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''' in ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product.	+	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, '''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''', ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650 ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.

← Older revision		Revision as of 11:08, April 15, 2018
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	Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.		Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.
	: This is live. Lovely piece! - [[User:PaulaMarmor\|PaulaMarmor]] ([[User talk:PaulaMarmor\|talk]]) 18:17, March 22, 2018 (UTC)		: This is live. Lovely piece! - [[User:PaulaMarmor\|PaulaMarmor]] ([[User talk:PaulaMarmor\|talk]]) 18:17, March 22, 2018 (UTC)
		+
		+	== Norwich Stuffs ==
		+
		+	According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursual Priestley, '''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''' in ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product.

← Older revision		Revision as of 18:18, March 22, 2018
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	Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.		Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.
		+	: This is live. Lovely piece! - [[User:PaulaMarmor\|PaulaMarmor]] ([[User talk:PaulaMarmor\|talk]]) 18:17, March 22, 2018 (UTC)

← Older revision		Revision as of 11:06, March 21, 2018
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	== Black hoods ==		== Black hoods ==

−	Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' ~~provides~~ several images of women wearing hoods.	+	Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.

← Older revision		Revision as of 11:05, March 21, 2018
Line 7:		Line 7:
	== Black hoods ==		== Black hoods ==

−	Black hoods, often of silk ('taffetie'), were popular headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' ~~shows~~ several images of women wearing hoods.	+	Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' provides several images of women wearing hoods.