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	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128796</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128796"/>
				<updated>2018-04-15T15:48:32Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Norwich Stuffs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;br /&gt;
: This is live.  Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Norwich Stuffs ==&lt;br /&gt;
&lt;br /&gt;
According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750,'' Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650: ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128795</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128795"/>
				<updated>2018-04-15T15:46:55Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Norwich Stuffs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;br /&gt;
: This is live.  Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Norwich Stuffs ==&lt;br /&gt;
&lt;br /&gt;
According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750,'' Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565, The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650: ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128790</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128790"/>
				<updated>2018-04-15T12:12:04Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Norwich Stuffs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;br /&gt;
: This is live.  Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Norwich Stuffs ==&lt;br /&gt;
&lt;br /&gt;
According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750, Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650: ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128789</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128789"/>
				<updated>2018-04-15T12:09:40Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Norwich Stuffs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;br /&gt;
: This is live.  Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Norwich Stuffs ==&lt;br /&gt;
&lt;br /&gt;
According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, ''The Fabric of Stuffs: The Norwich Textile industry, c.1650-1750, Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650:''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128788</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128788"/>
				<updated>2018-04-15T12:06:54Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Norwich Stuffs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;br /&gt;
: This is live.  Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Norwich Stuffs ==&lt;br /&gt;
&lt;br /&gt;
According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, '''''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''''', ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650 - ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128787</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128787"/>
				<updated>2018-04-15T12:01:58Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Norwich Stuffs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;br /&gt;
: This is live.  Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Norwich Stuffs ==&lt;br /&gt;
&lt;br /&gt;
According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursula Priestley, '''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''', ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. See also, Ursula Priestley, ''The Fabric of Stuffs: the Norwich textile industry from 1565'', The Centre of East Anglian Studies, 1990. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich master weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. The main characteristic of Norwich Stuffs was their sheer variety - 'of infinite varietie and difference of Sortes, Figures, coullours and prices' (Priestley, Textile History, Volume 16, p.184). In order to try and avoid imitation, Norwich Stuffs were recognized by a Parliamentary Ordinance in November 1650 ''An Act for regulating the making of Stuffs in Norfolk and Norwich'', www.british-history.ac.uk/no-series/acts-ordinances-interregnum/pp451-455.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128784</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128784"/>
				<updated>2018-04-15T11:08:26Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Norwich Stuffs */ new section&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;br /&gt;
: This is live.  Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Norwich Stuffs ==&lt;br /&gt;
&lt;br /&gt;
According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursual Priestley, '''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''' in ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128586</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128586"/>
				<updated>2018-03-21T11:06:18Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128585</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128585"/>
				<updated>2018-03-21T11:05:05Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' provides several images of women wearing hoods.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128578</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128578"/>
				<updated>2018-03-20T17:22:06Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Black hoods */ new section&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;br /&gt;
:This is live - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 21:38, March 13, 2018 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Black hoods ==&lt;br /&gt;
&lt;br /&gt;
Black hoods, often of silk ('taffetie'), were popular headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128150</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128150"/>
				<updated>2018-03-09T17:35:04Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's ''The English Housewife'' written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's ''Queen Elizabeth's Wardrobe Unlock'd'', Maney, 1988, p.362.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128149</id>
		<title>User talk:SusanMee</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=User_talk:SusanMee&amp;diff=128149"/>
				<updated>2018-03-09T16:55:30Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Play here! */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Play here! ==&lt;br /&gt;
Cunny/coney/conie/cony skinns.&lt;br /&gt;
A coney was a rabbit - mentioned in Gervase Markham's 'The English Housewife', written in the early 17th century.&lt;br /&gt;
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's 'Queen Elizabeth's Wardrobe Unlock'd', Maney, 1988, p362.&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=HCA_13/68_f.370v_Annotate&amp;diff=127890</id>
		<title>HCA 13/68 f.370v Annotate</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=HCA_13/68_f.370v_Annotate&amp;diff=127890"/>
				<updated>2018-03-03T16:36:16Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{PageMetaData&lt;br /&gt;
|Parent volume=HCA 13/68&lt;br /&gt;
|Folio=370&lt;br /&gt;
|Side=Verso&lt;br /&gt;
|Status=Uploaded image&lt;br /&gt;
|First transcriber=Untranscribed&lt;br /&gt;
|Note=IMAGE: IMG_117_07_0298.jpg&lt;br /&gt;
}}&lt;br /&gt;
{{PageHelp}}&lt;br /&gt;
{{PageTranscription&lt;br /&gt;
|Transcription image={{#transcription-image: IMG_117_07_0298.jpg}}&lt;br /&gt;
|Transcription=design for the said improvement of the said Companyes trades and ? parts Where likewise he sayeth by this deponents order there was fflagg staff ? ? and the English Cullours to be displayed upon the (arrested) ? of ship att that port to the end that ? might take notice That the said did belong to the English ? ? couvert Depose saveing as ? this deponent had important business w(hi)ch required this deponent ? said Port of Cape Coast commonly he came thither albeit his place of Residence for the most ? att Cormantine arlate To the 7th.8.9&amp;amp;#58;10&amp;amp;#58;11.12&amp;amp;#58;13 and fowerteenth and 21 (bales) of the said ? he sayeth and deposeth That he this deponent within the time imployeth as Principall factor and Comander for the said Guinney Company att their ffactorys of Cormantine and Cape Coast ? and other ? ? ? Ports belonging to them was often (sellected) by the King of ffarsoo and his Brother Henniqua thereto Agent of the Country to build a howse att Cape Coast aforesaid whoo promiseth this Depponent That they would not ad? of any other man whatsoever into the said Port ? ? ? such as did belong to the English Company and by them were ? to the purpose gave order to one Mr Thomas Gardiner factor att that ? to provide ? and ? to ? the same ? upon the 20th Aprill 1640 He this deponent ? from the Coast of Cormantine to the foresaid Port of Cape Coaste arlate where he sayeth he this deponent was ? and -cometh by the foresaid Henequa and the ? men and merchants of that Countrey who -tayned him first with a ? from the King and after from each greate man for himself ? ? this deponent That the Countrey was this deponents ? that purpose ? use of the English Company And further sayeth That after (sallitatons) and this deponents speech endith with the natives ? to the ? of the Countrey he this deponent treateth with the said Hennequa the Kings Brother for the use of the said Company And he sayeth That upon the said treaty It was agreed and ? ? this deponent on the ? Companyes pt and the said Henequa and the forman on the said King and Countryes pt as followes or to the same effect ? That this Deponent should pay for the said Port and whose Trade in that Country ? of ? and ? of Arsvita? to the king for his pt and to the said Henequa and Cheife man ???? in all to £64 sterling money besides the greate charges of ? the howse to the ? ? All wch according to the said Agent being p(ai)d ? the said Henequa caused the Drums to be beaten And summoned all the people to the place where the said English howse was&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=HCA_13/68_f.370v_Annotate&amp;diff=127889</id>
		<title>HCA 13/68 f.370v Annotate</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=HCA_13/68_f.370v_Annotate&amp;diff=127889"/>
				<updated>2018-03-03T16:34:23Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{PageMetaData&lt;br /&gt;
|Parent volume=HCA 13/68&lt;br /&gt;
|Folio=370&lt;br /&gt;
|Side=Verso&lt;br /&gt;
|Status=Uploaded image&lt;br /&gt;
|First transcriber=Untranscribed&lt;br /&gt;
|Note=IMAGE: IMG_117_07_0298.jpg&lt;br /&gt;
}}&lt;br /&gt;
{{PageHelp}}&lt;br /&gt;
{{PageTranscription&lt;br /&gt;
|Transcription image={{#transcription-image: IMG_117_07_0298.jpg}}&lt;br /&gt;
|Transcription=design for the said improvement of the said Companyes trades and ? parts Where likewise he sayeth by this deponents order there was fflagg staff ? ? and the English Cullours to be displayed upon the (arrested) ? of ship att that port to the end that ? might take notice That the said did belong to the English ? ? couvert Depose saveing as ? this deponent had important business w(hi)ch required this deponent ? said Port of Cape Coast commonly he came thither albeit his place of Residence for the most ? att Cormantine arlate To the 7th.8.9&amp;amp;#58;10&amp;amp;#58;11.12&amp;amp;#58;13 and fowerteenth and 21 (bales) of the said ? he sayeth and deposeth That he this deponent within the time imployeth as Principall factor and Comander for the said Guinney Company att their ffactorys of Cormantine and Cape Coast ? and other ? ? ? Ports belonging to them was often (sellected) by the King of ffarsoo and his Brother Henniqua thereto Agent of the Country to build a howse att Cape Coast aforesaid whoo promiseth this Depponent That they would not ad? of any other man whatsoever into the said Port ? ? ? such as did belong to the English Company and by them were ? to the purpose gave order to one Mr Thomas Gardiner factor att that ? to provide ? and ? to ? the same ? upon the 20th Aprill 1640 He this deponent ? from the Coast of Cormantine to the foresaid Port of Cape Coaste arlate where he sayeth he this deponent was ? and -cometh by the foresaid Henequa and the ? men and merchants of that Countrey who -tayned him first with a ? from the King and after from each greate man for himself ? ? this deponent That the Countrey was this deponents ? that purpose ? use of the English Company And further sayeth That after (sallitatons) and this deponents speech endith with the natives ? to the ? of the Countrey he this deponent treateth with the said Hennequa the Kings Brother for the use of the said Company And he sayeth That upon the said treaty It was agreed and ? ? this deponent on the ? Companyes p(ar)t and the said Henequa and the forman on the said King and Countryes &lt;br /&gt;
p(ar)t as followes or to the same effect ? That this Deponent should pay for the said Port and whose Trade in that Country ? of ? and ? of Arsvita? to the king for his p(ar)t and to the said Henequa and Cheife man ???? in all to £64 sterling money besides the greate charges of ? the howse to the ? ? All w(hi)ch according to the said Agent being p(ai)d ? the said Henequa caused the Drums to be beaten And summoned all the people to the place where the said English howse was&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=HCA_13/68_f.370v_Annotate&amp;diff=127888</id>
		<title>HCA 13/68 f.370v Annotate</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=HCA_13/68_f.370v_Annotate&amp;diff=127888"/>
				<updated>2018-03-03T16:29:36Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{PageMetaData&lt;br /&gt;
|Parent volume=HCA 13/68&lt;br /&gt;
|Folio=370&lt;br /&gt;
|Side=Verso&lt;br /&gt;
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|First transcriber=Untranscribed&lt;br /&gt;
|Note=IMAGE: IMG_117_07_0298.jpg&lt;br /&gt;
}}&lt;br /&gt;
{{PageHelp}}&lt;br /&gt;
{{PageTranscription&lt;br /&gt;
|Transcription image={{#transcription-image: IMG_117_07_0298.jpg}}&lt;br /&gt;
|Transcription=design for the said improvement of the said Companyes trades and ? parts Where likewise he sayeth by this deponents order there was fflagg staff ? ? and the English Cullours to be displayed upon the (arrested) ? of ship att that port to the end that ? might take notice That the said did belong to the English ? ? couvert Depose saveing as ? this deponent had important business w(hi)ch required this deponent ? said Port of Cape Coast commonly he came thither albeit his place of Residence for the most ? att Cormantine arlate To the 7th.8.9&amp;amp;#58;10&amp;amp;#58;11.12&amp;amp;#58;13 and fowerteenth and 21 (bales) of the said ? he sayeth and deposeth That he this deponent within the time imployeth as Principall factor and Comander for the said Guinney Company att their ffactorys of Cormantine and Cape Coast ? and other ? ? ? Ports belonging to them was often (sellected) by the King of ffarsoo and his Brother Henniqua thereto Agent of the Country to build a howse att Cape Coast aforesaid whoo promiseth this Depponent That they would not ad? of any other man whatsoever into the said Port ? ? ? such as did belong to the English Company and by them were ? to the purpose gave order to one Mr Thomas Gardiner factor att that ? to provide ? and ? to ? the same ? upon the 20th Aprill 1640 He this deponent ? from the Coast of Cormantine to the foresaid Port of Cape Coaste arlate where he sayeth he this deponent was ? and -cometh by the foresaid Henequa and the ? man and merchants of that Countrey who -tayned him first with a ? from the King and after from each greate man for himself ? ? this deponent That the Countrey was this deponents ? that purpose ? use of the English Company And further sayeth That after (sallitatons) and this deponents speech endith with the natives ? to the ? of the Countrey he this deponent treateth with the said Hennequa the Kings Brother for the use of the said Company And he sayeth That upon the said treaty It was agreed and ? ? this deponent on the ? Companyes p(ar)t and the said Henequa and the forman on the said King and Countryes &lt;br /&gt;
p(ar)t as followes or to the same effect ? That this Deponent should pay for the said Port and whose Trade in that Country ? of ? and ? of Arsvita? to the king for his p(ar)t and to the said Henequa and Cheife man ???? in all to £64 sterling money besides the greate charges of ? the howse to the ? ? All w(hi)ch according to the said Agent being p(ai)d ? the said Henequa caused the Drums to be beaten And summoned all the people to the place where the said English howse was&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=HCA_13/68_f.370v_Annotate&amp;diff=127881</id>
		<title>HCA 13/68 f.370v Annotate</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=HCA_13/68_f.370v_Annotate&amp;diff=127881"/>
				<updated>2018-03-02T16:39:56Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{PageMetaData&lt;br /&gt;
|Parent volume=HCA 13/68&lt;br /&gt;
|Folio=370&lt;br /&gt;
|Side=Verso&lt;br /&gt;
|Status=Uploaded image&lt;br /&gt;
|First transcriber=Untranscribed&lt;br /&gt;
|Note=IMAGE: IMG_117_07_0298.jpg&lt;br /&gt;
}}&lt;br /&gt;
{{PageHelp}}&lt;br /&gt;
{{PageTranscription&lt;br /&gt;
|Transcription image={{#transcription-image: IMG_117_07_0298.jpg}}&lt;br /&gt;
|Transcription=design for the said improvement of the said Companyes trades and ? parts Where likewise he sayeth by this deponents order there was fflagg staff ? ? and the English Cullours to be displayed upon the (arrested) ? of ship att that port to the end that ? might take notice That the said did belong to the English ? ? couvert Depose saveing as ? this deponent had important business w(hi)ch required this deponent ? said Port of Cape Coast commonly he came thither albeit his place of Residence for the most ? att Cormantine arlate To the 7th.8.9&amp;amp;#58;10&amp;amp;#58;11.12&amp;amp;#58;13 and fowerteenth and 21 (bales) of the said ? he sayeth and deposeth That he this deponent within the time imployeth as Principall factor and Comander for the said Guinney Company att their ffactorys of Cormantine and Cape Coast ? and other ? ? ? Ports belonging to them was often (sellected) by the King of ffarsoo and his Brother Henniqua thereto Agent of the Country to build a house att Cape Coast aforesaid whoo promiseth this Depponent That they would not ad? of any other man whatsoever into the said Port ? ? ? such as did belong to the English Company and by them were ?&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=HCA_13/68_f.371r_Annotate&amp;diff=127880</id>
		<title>HCA 13/68 f.371r Annotate</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=HCA_13/68_f.371r_Annotate&amp;diff=127880"/>
				<updated>2018-03-02T16:00:17Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{PageMetaData&lt;br /&gt;
|Parent volume=HCA 13/68&lt;br /&gt;
|Folio=371&lt;br /&gt;
|Side=Recto&lt;br /&gt;
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|First transcriber=Untranscribed&lt;br /&gt;
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}}&lt;br /&gt;
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{{PageTranscription&lt;br /&gt;
|Transcription image={{#transcription-image: IMG_117_07_0299.jpg}}&lt;br /&gt;
|Transcription=was building And there made publique proclamation in the presence of them all That he had sold the said Port of Cape Coast arlate and the Trade thereof to him the deponent for the use of the said English Companie And that noe white man whatsoever might have any thing to doe there but such as should have order from this deponent and also to that effect English Company But sayeth That some few dayes after the premises There arrived at the said Port of Cape Coast one Henrick Carloff with a (? as her? probendal) from (her? way) of Sweden whoe there Landed and meeting with the said Henreque by his ? and extraordinary guiftes obteyned leave to build a house there w(hi)ch this deponent being informed of did send one Mathew Backhowse to give the said Carleoff notice That the said Port and the Trade of the Country thereabouts was bought by him this deponent to and for the use of the Guinney Company ? and therefore that he would forswere to procede further therein? or to that effect But notwithstanding this deponents notice to the said Carleoff ? afforesaid He the said Carleoff did procede in the building a howse there And uppon the 28th of May - then next followeing the said Carleoff ?? for ther? and uppon the Possession Ports and Trade belonging to the English Guinney Company ? did come to the Port of Anemaboo ? about thre myles distant from the Castle of Cermantyne afforesaid and there ? likewise caused a howse to be built whereof this Deponent having information gave the said Carleoffe likewise advice to desist imparting to him the right w(hi)ch the English Company had to the said Port and trade thereof but this deponent sayeth that the said Carleoffe did proceed forward w(i)th compleating and building of the said howse at Cape Coast afforesaid to the greate damage and preuidice of the said English Guinney Company in theire Trade and ? ? those p(ar)ts and as this deponent hath heard &amp;amp; -eth? since this deponent -ding? away from out of Guinney w(hi)ch was about this time thre yeares - ? the said ? - Ports of Cape Coast and Anamaboo have - beene (savd) (kept) by Swedish Company whoe ? ? the said English Guinney Company of theire possession thereof and ? ? the Trade of those two Ports from the said English Guinney Company to ? whereby this deponent ? ? the said Guinney Company of London Was and is ? to the sume of twenty thousand pounds att the least And further ? depose saveing that the - promises he remebreth the better for that dureing his this deponents Residence in the Guinney ? Kept a journal of the procedings of all businesses whatsoever happens there&lt;br /&gt;
Godolphin                                        Tho(mas) Crispe&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=HCA_13/68_f.371r_Annotate&amp;diff=127879</id>
		<title>HCA 13/68 f.371r Annotate</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=HCA_13/68_f.371r_Annotate&amp;diff=127879"/>
				<updated>2018-03-02T11:59:04Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{PageMetaData&lt;br /&gt;
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|First transcriber=Untranscribed&lt;br /&gt;
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}}&lt;br /&gt;
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{{PageTranscription&lt;br /&gt;
|Transcription image={{#transcription-image: IMG_117_07_0299.jpg}}&lt;br /&gt;
|Transcription=was building And there made publique proclamation in the presence of them all That he had sold the said Port of Cape Coast ? and the Trade thereof to him the deponent for the use of the said English Companie And that noe white man whatsoever might have any thing to doe there but such as should have order from this deponent and also to that effect English Company But sayeth That some few dayes after the promises There arrived at the said Port of Cape Coast one Henrick Carloff with a (? as her? probendal) from (her? way) of Sweden whoe there Landed and meeting with the said Henreque by his ? and extraordinary guiftes obteyned leave to build a house there w(hi)ch this deponent being informed of did send one Mathew Backhowse to give the said Carleoff notice That the said Port and the Trade of the Country thereabouts was bought by him this deponent to and for the use of the Guinney Company ? and therefore that he would forswere to procede further therein? or to that effect But notwithstanding this deponents notice to the said Carleoff ? afforesaid He the said Carleoff did procede in the building a howse there And uppon the 28th of May - then next followeing the said Carleoff ?? for ther? and uppon the Possession Ports and Trade belonging to the English Guinney Company ? did come to the Port of Anemaboo ? about thre myles distant from the Castle of Cermantyne? afforesaid and there ? likewise caused a howse to be built whereof this Deponent having information gave the said Carleoffe likewise advice to desist imparting to him the right w(hi)ch the English Company had to the said Port and trade thereof but this deponent sayeth that the said Carleoffe did proceed forward w(i)th compleating and building of the said howse at Cape Coast afforesaid to the greate damage and previdice (prejudice?) of the said English Guinney Company in theire Trade and ? ? those p(ar)ts and as this deponent hath heard &amp;amp; -eth? since this deponent -ding? away from out of Guinney w(hi)ch was about this time thre yeares - ? the said ? - Ports of Cape Coast and Anamaboo have - beene (savd) (kept) by Swedish Company whoe ? ? the said English Guinney Company of theire possession thereof and ? ? the Trade of those two Ports from the said English Guinney Company to ? whereby this deponent ? ? the said Guinney Company of London Was and is ? to the sume of twenty thousand pounds att the least And further ? depose saveing that the - promises he remebreth the better for that dureing his this deponents Residence in the Guinney ? Kept a journal of the procedings of all businesses whatsoever happens there&lt;br /&gt;
Godolphin                                        Tho(mas) Crispe&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=HCA_13/68_f.371r_Annotate&amp;diff=127878</id>
		<title>HCA 13/68 f.371r Annotate</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=HCA_13/68_f.371r_Annotate&amp;diff=127878"/>
				<updated>2018-03-02T11:45:16Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{PageMetaData&lt;br /&gt;
|Parent volume=HCA 13/68&lt;br /&gt;
|Folio=371&lt;br /&gt;
|Side=Recto&lt;br /&gt;
|Status=Uploaded image&lt;br /&gt;
|First transcriber=Untranscribed&lt;br /&gt;
|Note=IMAGE: IMG_117_07_0299.jpg&lt;br /&gt;
}}&lt;br /&gt;
{{PageHelp}}&lt;br /&gt;
{{PageTranscription&lt;br /&gt;
|Transcription image={{#transcription-image: IMG_117_07_0299.jpg}}&lt;br /&gt;
|Transcription=was building And there made publique proclamation in the presence of them all That he had sold the said Port of Cape Coast(aslate) and the Trade thereof to him the deponent for the use of the said English Companie And that noe white man whatsoever might have any thing to doe there but such as should have order from this deponent and also to that effect English Company But sayeth That some few dayes after the promises There arrived at the said Port of Cape Coast one Henrick Carloff with a (? as her? probendal) from (her? way) of Sweden whoe there Landed and meeting with the said Henreque by his ? and extraordinary guiftes obteyned leave to build a house there w(hi)ch this deponent being informed of did send one Mathew Backhowse to give the said Carleoff notice That the said Port and the Trade of the Country thereabouts was bought by him this deponent to and for the use of the Guinney Company ? and therefore that he would forswere to procede further therein? or to that effect But notwithstanding this deponents notice to the said Carleoff ? afforesaid He the said Carleoff did procede in the building a howse there And uppon the 28th of May - then next followeing the said Carleoff ?? for ther? and uppon the Possession Ports and Trade belonging to the English Guinney Company ? did come to the Port of Anemaboo ? about thre myles distant from the Castle of Cermantyne? afforesaid and there ? likewise caused a howse to be built whereof this Deponent having information gave the said Carleoffe likewise advice to desist imparting to him the right w(hi)ch the English Company had to the said Port and trade thereof but this deponent sayeth that the said Carleoffe did proceed forward w(i)th compleating and building of the said howse at Cape Coast afforesaid to the greate damage and previdice (prejudice?) of the said English Guinney Company in theire Trade and ? ? those p(ar)ts and as this deponent ? and as this deponent hath heard &amp;amp; -eth? since this deponent -ding? away from out of Guinney w(hi)ch was about this time thre yeares - ? the said ? - Ports of Cape Coast and Anamaboo have - beene (savd) (kept) by Swedish Company whoe ? ? the said English Guinney Company of theire possession thereof and ? ? the Trade of those two Ports from the said English Guinney Company of theire possession thereof and ? ? the Trade of those two Ports from the said English Guinney Company to ? whereby this deponent ? ? the said Guinney Company of London Was and is ? to the sume of twenty thousand pounds att the least And further ? depose saveing that the - promises he remebreth the better for that dureing his this deponents Residence in the Guinney ? Kept a journal of the procedings of all businesses whatsoever happens there&lt;br /&gt;
Godolphin                                        Tho(mas) Crispe&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=HCA_13/68_f.371r_Annotate&amp;diff=127868</id>
		<title>HCA 13/68 f.371r Annotate</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=HCA_13/68_f.371r_Annotate&amp;diff=127868"/>
				<updated>2018-03-01T18:32:58Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{PageMetaData&lt;br /&gt;
|Parent volume=HCA 13/68&lt;br /&gt;
|Folio=371&lt;br /&gt;
|Side=Recto&lt;br /&gt;
|Status=Uploaded image&lt;br /&gt;
|First transcriber=Untranscribed&lt;br /&gt;
|Note=IMAGE: IMG_117_07_0299.jpg&lt;br /&gt;
}}&lt;br /&gt;
{{PageHelp}}&lt;br /&gt;
{{PageTranscription&lt;br /&gt;
|Transcription image={{#transcription-image: IMG_117_07_0299.jpg}}&lt;br /&gt;
|Transcription=was building And there made publique proclamation in the presence of them all That he had sold the said Port of Cape Coast(aslate) and the Trade thereof to him the deponent for the use of the said English Companie And that noe white man whatsoever might have any thing to doe there but such as should have order from this deponent and also to that effect English Company But sayeth That some few dayes after the promises there arrived at the said Port of Cape Coast one Henrick Carloff with a (? as her probendal) from (her way) of Sweden whoe there Landed and meeting with the said Henreque by his ? and extraordinary guiftes obteyned leave to build a house there wch this deponent being informed of did send one Mathew Backhowse to give the said Carleoff notice That the said Port and the Trade of the Country thereabouts was bought by him this deponent to and for the use of the Guinney Company ? and therefore that he would forswere to procede further therein or to that effect But notwithstanding this deponents notice to the said Carleoff ? aforesaid He the said Carleoff did procede in the building a howse there And upon the 28th of May - then next following the said Carleoff ?? for ther and upon the Possession Ports and Trade belonging to the English Guinney Company ? did come to the Port of Anemaboo ? about three myles distant from the Castle of Cermantyne aforesaid and there ? likewise caused a howse to be built whereof thisDeponent having information gave the said Carleoffe likewise advice to desist imparting to him the right wch the English Company had to the said Port and trade thereof but this deponent sayeth that the said Carleoffe did proceed forward wth compleating and building of the said howse at Cape Coast aforesaid to the greate damage and previdice (prejudice?) of the said English Guinney Company in theire Trade and ? ? those pts and as this deponent ? away from out of Guinney wch was about this time thre yeares - ? the said ? - Ports of Cape Coast and Anamaboo have - beene (savd) (kept) by Swedish Company whoe ? ? the said English Guinney Company of theire possession thereof and ? ? the Trade of those two Ports from the said English Guinney Company to ?&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125317</id>
		<title>Tools: January 2018 biographies</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125317"/>
				<updated>2018-01-13T23:29:19Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Amber Berkeley==&lt;br /&gt;
[[File:Amber.jpeg.jpg|150px|thumb|left|Amber Berkeley]]&lt;br /&gt;
&lt;br /&gt;
'''Amber Berkeley''' is currently a gap year student hoping to study English Literature in September 2018. Amber is proudly South African-British and enjoys ballet, reading, and writing short stories.&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Freyalynn Close-Hainsworth==&lt;br /&gt;
&lt;br /&gt;
[ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
----&lt;br /&gt;
==Nicola Clarke==&lt;br /&gt;
I am doing an MA in Early Modern History at Birkbeck, I have a particular interest in the social and cultural history of the Commonwealth and the Protectorate. I am an enthusiastic if not necessarily very skilled embroiderer and a recorder player with a passion for Renaissance and Baroque music.&lt;br /&gt;
[TO BE COMPLETED:ADD THUMBNAIL IMAGE] &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Colin Greenstreet==&lt;br /&gt;
&lt;br /&gt;
[[File:Colin &amp;amp; Bron.PNG|150px|thumb|left|Colin Greenstreet and Bron (a Hungarian vizsla)]]&lt;br /&gt;
&lt;br /&gt;
'''Colin Greenstreet''' is facilitating our new group of volunteers, who are starting in January 2018. He is also one of two facilitators of the Warwick transcription programme, which started in November 2017. He is a co-founder and co-director of the MarineLives project. He studied human sciences, and philosophy, politics and economics, at the University of Oxford, and was the recipient of a Kennedy scholarship for study at Harvard Business School. His career has been spent in finance, consulting, pharmaceutical research and development, and as an entrepreneur.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Mountains, languages, travel, and dogs (plus wife, Yerevag; elder daughter and musician, Rebecca; and younger daughter and aspiring neuroscientist, Francesca)&lt;br /&gt;
&lt;br /&gt;
 [ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
Susan has an MA in the History of Textiles &amp;amp; Dress, &amp;amp; a history PhD. 'The Clothing of the Common Sort, 1570-1700', which Susan co-authored with the late Professor Margaret Spufford, is the latest volume to be published in the Pasold Studies in Textile History Series (OUP). Currently a freelance lecturer &amp;amp; researcher Susan has experience of working in museums, libraries &amp;amp; archives. She enjoys reading, walking (particularly along the bank of the River Deben near to where she lives), trying out 'textile related' crafts &amp;amp; spending time with her 14 month old grandson. &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Axel Hee Rømer==&lt;br /&gt;
&lt;br /&gt;
[[File:20431748 10213882415363783 7335089318614997891 n.jpg|150px|thumb|left|Axel Hee Rømer]]&lt;br /&gt;
&lt;br /&gt;
I study Medieval and Renaissance Archaeology at the University of Aarhus in Denmark. I've got interested in sailors lives under my bachelor work, and wanted to learn more about maritime culture in the renaissance and early modern period.&lt;br /&gt;
&lt;br /&gt;
I like the outdoors, archaeology, music, food and traveling.&lt;br /&gt;
&lt;br /&gt;
==Deborah Sherlock==&lt;br /&gt;
&lt;br /&gt;
[[File:Deborah_Sherlock_hill_walking.jpg|150px|thumb|left|Deborah Sherlock hill walking]]&lt;br /&gt;
&lt;br /&gt;
'''Deborah Sherlock''' is an academic librarian at Queen's University Belfast. She holds a PhD in history, also from Queen's, and this was published in 2009 as ''Women, marriage and property in the wealthy landed class in Ireland, 1750-1850'' (MUP). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Running, trees, beaches, her GSD/Lab cross Indi and of course her husband Kieran and two young children Joe and Lucia.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Favourite place on Earth&amp;lt;/u&amp;gt;: Donegal, on the beach, all seasons.&lt;br /&gt;
----&lt;br /&gt;
==Samantha Thompson==&lt;br /&gt;
&lt;br /&gt;
[[File:Samantha Thompson.jpg|150px|thumb|left|Sam in the stacks.]]&lt;br /&gt;
&lt;br /&gt;
'''Samantha Thompson''' is currently a government and local history archivist for one of Canada’s largest municipalities. She has worked with special collections in several Canadian universities and museums. She holds a PhD in philosophy from the University of Toronto and an MLIS from Western University. She is also a musician and a salted snacks enthusiast. To find out more about what archivists do so you can cheer them on (they deserve it) check out her series [https://peelarchivesblog.com/category/archives-faqs-and-facts/ &amp;quot;Archives FAQs and Facts&amp;quot;].&lt;br /&gt;
&lt;br /&gt;
----&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125316</id>
		<title>Tools: January 2018 biographies</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125316"/>
				<updated>2018-01-13T23:28:33Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: Undo revision 125315 by SusanMee (talk)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Amber Berkeley==&lt;br /&gt;
[[File:Amber.jpeg.jpg|150px|thumb|left|Amber Berkeley]]&lt;br /&gt;
&lt;br /&gt;
'''Amber Berkeley''' is currently a gap year student hoping to study English Literature in September 2018. Amber is proudly South African-British and enjoys ballet, reading, and writing short stories.&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Freyalynn Close-Hainsworth==&lt;br /&gt;
&lt;br /&gt;
[ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
----&lt;br /&gt;
==Nicola Clarke==&lt;br /&gt;
I am doing an MA in Early Modern History at Birkbeck, I have a particular interest in the social and cultural history of the Commonwealth and the Protectorate. I am an enthusiastic if not necessarily very skilled embroiderer and a recorder player with a passion for Renaissance and Baroque music.&lt;br /&gt;
[TO BE COMPLETED:ADD THUMBNAIL IMAGE] &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Colin Greenstreet==&lt;br /&gt;
&lt;br /&gt;
[[File:Colin &amp;amp; Bron.PNG|150px|thumb|left|Colin Greenstreet and Bron (a Hungarian vizsla)]]&lt;br /&gt;
&lt;br /&gt;
'''Colin Greenstreet''' is facilitating our new group of volunteers, who are starting in January 2018. He is also one of two facilitators of the Warwick transcription programme, which started in November 2017. He is a co-founder and co-director of the MarineLives project. He studied human sciences, and philosophy, politics and economics, at the University of Oxford, and was the recipient of a Kennedy scholarship for study at Harvard Business School. His career has been spent in finance, consulting, pharmaceutical research and development, and as an entrepreneur.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Mountains, languages, travel, and dogs (plus wife, Yerevag; elder daughter and musician, Rebecca; and younger daughter and aspiring neuroscientist, Francesca)&lt;br /&gt;
---Susan Mee-&lt;br /&gt;
 [ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
Susan has an MA in the History of Textiles &amp;amp; Dress, &amp;amp; a history PhD. 'The Clothing of the Common Sort, 1570-1700', which Susan co-authored with the late Professor Margaret Spufford, is the latest volume to be published in the Pasold Studies in Textile History Series (OUP). Currently a freelance lecturer &amp;amp; researcher Susan has experience of working in museums, libraries &amp;amp; archives. She enjoys reading, walking (particularly along the bank of the River Deben near to where she lives), trying out 'textile related' crafts &amp;amp; spending time with her 14 month old grandson. &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Axel Hee Rømer==&lt;br /&gt;
&lt;br /&gt;
[[File:20431748 10213882415363783 7335089318614997891 n.jpg|150px|thumb|left|Axel Hee Rømer]]&lt;br /&gt;
&lt;br /&gt;
I study Medieval and Renaissance Archaeology at the University of Aarhus in Denmark. I've got interested in sailors lives under my bachelor work, and wanted to learn more about maritime culture in the renaissance and early modern period.&lt;br /&gt;
&lt;br /&gt;
I like the outdoors, archaeology, music, food and traveling.&lt;br /&gt;
&lt;br /&gt;
==Deborah Sherlock==&lt;br /&gt;
&lt;br /&gt;
[[File:Deborah_Sherlock_hill_walking.jpg|150px|thumb|left|Deborah Sherlock hill walking]]&lt;br /&gt;
&lt;br /&gt;
'''Deborah Sherlock''' is an academic librarian at Queen's University Belfast. She holds a PhD in history, also from Queen's, and this was published in 2009 as ''Women, marriage and property in the wealthy landed class in Ireland, 1750-1850'' (MUP). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Running, trees, beaches, her GSD/Lab cross Indi and of course her husband Kieran and two young children Joe and Lucia.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Favourite place on Earth&amp;lt;/u&amp;gt;: Donegal, on the beach, all seasons.&lt;br /&gt;
----&lt;br /&gt;
==Samantha Thompson==&lt;br /&gt;
&lt;br /&gt;
[[File:Samantha Thompson.jpg|150px|thumb|left|Sam in the stacks.]]&lt;br /&gt;
&lt;br /&gt;
'''Samantha Thompson''' is currently a government and local history archivist for one of Canada’s largest municipalities. She has worked with special collections in several Canadian universities and museums. She holds a PhD in philosophy from the University of Toronto and an MLIS from Western University. She is also a musician and a salted snacks enthusiast. To find out more about what archivists do so you can cheer them on (they deserve it) check out her series [https://peelarchivesblog.com/category/archives-faqs-and-facts/ &amp;quot;Archives FAQs and Facts&amp;quot;].&lt;br /&gt;
&lt;br /&gt;
----&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125315</id>
		<title>Tools: January 2018 biographies</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125315"/>
				<updated>2018-01-13T23:18:20Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: Undo revision 125314 by SusanMee (talk)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Amber Berkeley==&lt;br /&gt;
[[File:Amber.jpeg.jpg|150px|thumb|left|Amber Berkeley]]&lt;br /&gt;
&lt;br /&gt;
'''Amber Berkeley''' is currently a gap year student hoping to study English Literature in September 2018. Amber is proudly South African-British and enjoys ballet, reading, and writing short stories.&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Freyalynn Close-Hainsworth==&lt;br /&gt;
&lt;br /&gt;
[ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
----&lt;br /&gt;
==Nicola Clarke==&lt;br /&gt;
I am doing an MA in Early Modern History at Birkbeck, I have a particular interest in the social and cultural history of the Commonwealth and the Protectorate. I am an enthusiastic if not necessarily very skilled embroiderer and a recorder player with a passion for Renaissance and Baroque music.&lt;br /&gt;
[TO BE COMPLETED:ADD THUMBNAIL IMAGE] &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Colin Greenstreet==&lt;br /&gt;
&lt;br /&gt;
[[File:Colin &amp;amp; Bron.PNG|150px|thumb|left|Colin Greenstreet and Bron (a Hungarian vizsla)]]&lt;br /&gt;
&lt;br /&gt;
'''Colin Greenstreet''' is facilitating our new group of volunteers, who are starting in January 2018. He is also one of two facilitators of the Warwick transcription programme, which started in November 2017. He is a co-founder and co-director of the MarineLives project. He studied human sciences, and philosophy, politics and economics, at the University of Oxford, and was the recipient of a Kennedy scholarship for study at Harvard Business School. His career has been spent in finance, consulting, pharmaceutical research and development, and as an entrepreneur.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Mountains, languages, travel, and dogs (plus wife, Yerevag; elder daughter and musician, Rebecca; and younger daughter and aspiring neuroscientist, Francesca)&lt;br /&gt;
----&lt;br /&gt;
==Susan Mee&lt;br /&gt;
Susan has an MA in the History of Textiles &amp;amp; Dress, &amp;amp; a history PhD. 'The Clothing of the Common Sort, 1570-1700', which Susan co-authored with the late Professor Margaret Spufford, is the latest volume to be published in the Pasold Studies in Textile History Series (OUP). She is especially interested in the early modern period, particularly the 17th &amp;amp; 18th centuries. Currently a freelance lecturer &amp;amp; researcher Susan has experience of working in museums, libraries &amp;amp; archives. She enjoys reading, walking (particularly along the bank of the River Deben near to where she lives), trying out 'textile related' crafts &amp;amp; spending time with her 14 month old grandson. &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Axel Hee Rømer==&lt;br /&gt;
&lt;br /&gt;
[[File:20431748 10213882415363783 7335089318614997891 n.jpg|150px|thumb|left|Axel Hee Rømer]]&lt;br /&gt;
&lt;br /&gt;
I study Medieval and Renaissance Archaeology at the University of Aarhus in Denmark. I've got interested in sailors lives under my bachelor work, and wanted to learn more about maritime culture in the renaissance and early modern period.&lt;br /&gt;
&lt;br /&gt;
I like the outdoors, archaeology, music, food and traveling.&lt;br /&gt;
&lt;br /&gt;
==Deborah Sherlock==&lt;br /&gt;
&lt;br /&gt;
[[File:Deborah_Sherlock_hill_walking.jpg|150px|thumb|left|Deborah Sherlock hill walking]]&lt;br /&gt;
&lt;br /&gt;
'''Deborah Sherlock''' is an academic librarian at Queen's University Belfast. She holds a PhD in history, also from Queen's, and this was published in 2009 as ''Women, marriage and property in the wealthy landed class in Ireland, 1750-1850'' (MUP). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Running, trees, beaches, her GSD/Lab cross Indi and of course her husband Kieran and two young children Joe and Lucia.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Favourite place on Earth&amp;lt;/u&amp;gt;: Donegal, on the beach, all seasons.&lt;br /&gt;
----&lt;br /&gt;
==Samantha Thompson==&lt;br /&gt;
&lt;br /&gt;
[[File:Samantha Thompson.jpg|150px|thumb|left|Sam in the stacks.]]&lt;br /&gt;
&lt;br /&gt;
'''Samantha Thompson''' is currently a government and local history archivist for one of Canada’s largest municipalities. She has worked with special collections in several Canadian universities and museums. She holds a PhD in philosophy from the University of Toronto and an MLIS from Western University. She is also a musician and a salted snacks enthusiast. To find out more about what archivists do so you can cheer them on (they deserve it) check out her series [https://peelarchivesblog.com/category/archives-faqs-and-facts/ &amp;quot;Archives FAQs and Facts&amp;quot;].&lt;br /&gt;
&lt;br /&gt;
----&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125314</id>
		<title>Tools: January 2018 biographies</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125314"/>
				<updated>2018-01-13T23:15:08Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Amber Berkeley==&lt;br /&gt;
[[File:Amber.jpeg.jpg|150px|thumb|left|Amber Berkeley]]&lt;br /&gt;
&lt;br /&gt;
'''Amber Berkeley''' is currently a gap year student hoping to study English Literature in September 2018. Amber is proudly South African-British and enjoys ballet, reading, and writing short stories.&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Freyalynn Close-Hainsworth==&lt;br /&gt;
&lt;br /&gt;
[ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
----&lt;br /&gt;
==Nicola Clarke==&lt;br /&gt;
I am doing an MA in Early Modern History at Birkbeck, I have a particular interest in the social and cultural history of the Commonwealth and the Protectorate. I am an enthusiastic if not necessarily very skilled embroiderer and a recorder player with a passion for Renaissance and Baroque music.&lt;br /&gt;
[TO BE COMPLETED:ADD THUMBNAIL IMAGE] &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Colin Greenstreet==&lt;br /&gt;
&lt;br /&gt;
[[File:Colin &amp;amp; Bron.PNG|150px|thumb|left|Colin Greenstreet and Bron (a Hungarian vizsla)]]&lt;br /&gt;
&lt;br /&gt;
'''Colin Greenstreet''' is facilitating our new group of volunteers, who are starting in January 2018. He is also one of two facilitators of the Warwick transcription programme, which started in November 2017. He is a co-founder and co-director of the MarineLives project. He studied human sciences, and philosophy, politics and economics, at the University of Oxford, and was the recipient of a Kennedy scholarship for study at Harvard Business School. His career has been spent in finance, consulting, pharmaceutical research and development, and as an entrepreneur.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Mountains, languages, travel, and dogs (plus wife, Yerevag; elder daughter and musician, Rebecca; and younger daughter and aspiring neuroscientist, Francesca)&lt;br /&gt;
----&lt;br /&gt;
=='''Bold text''''''Susan Mee''' [ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
Susan has an MA in the History of Textiles &amp;amp; Dress, &amp;amp; a history PhD. 'The Clothing of the Common Sort, 1570-1700', which Susan co-authored with the late Professor Margaret Spufford, is the latest volume to be published in the Pasold Studies in Textile History Series (OUP). She is especially interested in the early modern period, particularly the 17th &amp;amp; 18th centuries. Currently a freelance lecturer &amp;amp; researcher Susan has experience of working in museums, libraries &amp;amp; archives. She enjoys reading, walking (particularly along the bank of the River Deben near to where she lives), trying out 'textile related' crafts &amp;amp; spending time with her 14 month old grandson. &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Axel Hee Rømer==&lt;br /&gt;
&lt;br /&gt;
[[File:20431748 10213882415363783 7335089318614997891 n.jpg|150px|thumb|left|Axel Hee Rømer]]&lt;br /&gt;
&lt;br /&gt;
I study Medieval and Renaissance Archaeology at the University of Aarhus in Denmark. I've got interested in sailors lives under my bachelor work, and wanted to learn more about maritime culture in the renaissance and early modern period.&lt;br /&gt;
&lt;br /&gt;
I like the outdoors, archaeology, music, food and traveling.&lt;br /&gt;
&lt;br /&gt;
==Deborah Sherlock==&lt;br /&gt;
&lt;br /&gt;
[[File:Deborah_Sherlock_hill_walking.jpg|150px|thumb|left|Deborah Sherlock hill walking]]&lt;br /&gt;
&lt;br /&gt;
'''Deborah Sherlock''' is an academic librarian at Queen's University Belfast. She holds a PhD in history, also from Queen's, and this was published in 2009 as ''Women, marriage and property in the wealthy landed class in Ireland, 1750-1850'' (MUP). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Running, trees, beaches, her GSD/Lab cross Indi and of course her husband Kieran and two young children Joe and Lucia.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Favourite place on Earth&amp;lt;/u&amp;gt;: Donegal, on the beach, all seasons.&lt;br /&gt;
----&lt;br /&gt;
==Samantha Thompson==&lt;br /&gt;
&lt;br /&gt;
[[File:Samantha Thompson.jpg|150px|thumb|left|Sam in the stacks.]]&lt;br /&gt;
&lt;br /&gt;
'''Samantha Thompson''' is currently a government and local history archivist for one of Canada’s largest municipalities. She has worked with special collections in several Canadian universities and museums. She holds a PhD in philosophy from the University of Toronto and an MLIS from Western University. She is also a musician and a salted snacks enthusiast. To find out more about what archivists do so you can cheer them on (they deserve it) check out her series [https://peelarchivesblog.com/category/archives-faqs-and-facts/ &amp;quot;Archives FAQs and Facts&amp;quot;].&lt;br /&gt;
&lt;br /&gt;
----&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125313</id>
		<title>Tools: January 2018 biographies</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125313"/>
				<updated>2018-01-13T23:03:41Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Susan Mee */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Amber Berkeley==&lt;br /&gt;
[[File:Amber.jpeg.jpg|150px|thumb|left|Amber Berkeley]]&lt;br /&gt;
&lt;br /&gt;
'''Amber Berkeley''' is currently a gap year student hoping to study English Literature in September 2018. Amber is proudly South African-British and enjoys ballet, reading, and writing short stories.&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Freyalynn Close-Hainsworth==&lt;br /&gt;
&lt;br /&gt;
[ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
----&lt;br /&gt;
==Nicola Clarke==&lt;br /&gt;
I am doing an MA in Early Modern History at Birkbeck, I have a particular interest in the social and cultural history of the Commonwealth and the Protectorate. I am an enthusiastic if not necessarily very skilled embroiderer and a recorder player with a passion for Renaissance and Baroque music.&lt;br /&gt;
[TO BE COMPLETED:ADD THUMBNAIL IMAGE] &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Colin Greenstreet==&lt;br /&gt;
&lt;br /&gt;
[[File:Colin &amp;amp; Bron.PNG|150px|thumb|left|Colin Greenstreet and Bron (a Hungarian vizsla)]]&lt;br /&gt;
&lt;br /&gt;
'''Colin Greenstreet''' is facilitating our new group of volunteers, who are starting in January 2018. He is also one of two facilitators of the Warwick transcription programme, which started in November 2017. He is a co-founder and co-director of the MarineLives project. He studied human sciences, and philosophy, politics and economics, at the University of Oxford, and was the recipient of a Kennedy scholarship for study at Harvard Business School. His career has been spent in finance, consulting, pharmaceutical research and development, and as an entrepreneur.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Mountains, languages, travel, and dogs (plus wife, Yerevag; elder daughter and musician, Rebecca; and younger daughter and aspiring neuroscientist, Francesca)&lt;br /&gt;
----&lt;br /&gt;
==Susan Mee&lt;br /&gt;
Susan has an MA in the History of Textiles &amp;amp; Dress, &amp;amp; a history PhD. 'The Clothing of the Common Sort, 1570-1700', which Susan co-authored with the late Professor Margaret Spufford, is the latest volume to be published in the Pasold Studies in Textile History Series (OUP). She is especially interested in the early modern period, particularly the 17th &amp;amp; 18th centuries. Currently a freelance lecturer &amp;amp; researcher Susan has experience of working in museums, libraries &amp;amp; archives. She enjoys reading, walking (particularly along the bank of the River Deben near to where she lives), trying out 'textile related' crafts &amp;amp; spending time with her 14 month old grandson. &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Axel Hee Rømer==&lt;br /&gt;
&lt;br /&gt;
[[File:20431748 10213882415363783 7335089318614997891 n.jpg|150px|thumb|left|Axel Hee Rømer]]&lt;br /&gt;
&lt;br /&gt;
I study Medieval and Renaissance Archaeology at the University of Aarhus in Denmark. I've got interested in sailors lives under my bachelor work, and wanted to learn more about maritime culture in the renaissance and early modern period.&lt;br /&gt;
&lt;br /&gt;
I like the outdoors, archaeology, music, food and traveling.&lt;br /&gt;
&lt;br /&gt;
==Deborah Sherlock==&lt;br /&gt;
&lt;br /&gt;
[[File:Deborah_Sherlock_hill_walking.jpg|150px|thumb|left|Deborah Sherlock hill walking]]&lt;br /&gt;
&lt;br /&gt;
'''Deborah Sherlock''' is an academic librarian at Queen's University Belfast. She holds a PhD in history, also from Queen's, and this was published in 2009 as ''Women, marriage and property in the wealthy landed class in Ireland, 1750-1850'' (MUP). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Running, trees, beaches, her GSD/Lab cross Indi and of course her husband Kieran and two young children Joe and Lucia.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Favourite place on Earth&amp;lt;/u&amp;gt;: Donegal, on the beach, all seasons.&lt;br /&gt;
----&lt;br /&gt;
==Samantha Thompson==&lt;br /&gt;
&lt;br /&gt;
[[File:Samantha Thompson.jpg|150px|thumb|left|Sam in the stacks.]]&lt;br /&gt;
&lt;br /&gt;
'''Samantha Thompson''' is currently a government and local history archivist for one of Canada’s largest municipalities. She has worked with special collections in several Canadian universities and museums. She holds a PhD in philosophy from the University of Toronto and an MLIS from Western University. She is also a musician and a salted snacks enthusiast. To find out more about what archivists do so you can cheer them on (they deserve it) check out her series [https://peelarchivesblog.com/category/archives-faqs-and-facts/ &amp;quot;Archives FAQs and Facts&amp;quot;].&lt;br /&gt;
&lt;br /&gt;
----&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	<entry>
		<id>http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125295</id>
		<title>Tools: January 2018 biographies</title>
		<link rel="alternate" type="text/html" href="http://www.marinelives.org/index.php?title=Tools:_January_2018_biographies&amp;diff=125295"/>
				<updated>2018-01-13T21:36:30Z</updated>
		
		<summary type="html">&lt;p&gt;SusanMee: /* Susan Mee */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Amber Berkeley==&lt;br /&gt;
[[File:Amber.jpeg.jpg|150px|thumb|left|Amber Berkeley]]&lt;br /&gt;
&lt;br /&gt;
'''Amber Berkeley''' is currently a gap year student hoping to study English Literature in September 2018. Amber is proudly South African-British and enjoys ballet, reading, and writing short stories.&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Freyalynn Close-Hainsworth==&lt;br /&gt;
&lt;br /&gt;
[ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
----&lt;br /&gt;
==Nicola Clarke==&lt;br /&gt;
&lt;br /&gt;
[ADD IMAGE &amp;amp; PROFILE]&lt;br /&gt;
----&lt;br /&gt;
==Colin Greenstreet==&lt;br /&gt;
&lt;br /&gt;
[[File:Colin &amp;amp; Bron.PNG|150px|thumb|left|Colin Greenstreet and Bron (a Hungarian vizsla)]]&lt;br /&gt;
&lt;br /&gt;
'''Colin Greenstreet''' is facilitating our new group of volunteers, who are starting in January 2018. He is also one of two facilitators of the Warwick transcription programme, which started in November 2017. He is a co-founder and co-director of the MarineLives project. He studied human sciences, and philosophy, politics and economics, at the University of Oxford, and was the recipient of a Kennedy scholarship for study at Harvard Business School. His career has been spent in finance, consulting, pharmaceutical research and development, and as an entrepreneur.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Mountains, languages, travel, and dogs (plus wife, Yerevag; elder daughter and musician, Rebecca; and younger daughter and aspiring neuroscientist, Francesca)&lt;br /&gt;
----&lt;br /&gt;
==Susan Mee==&lt;br /&gt;
&lt;br /&gt;
[ADD&lt;br /&gt;
IMAGE &amp;amp; PROFILE]&lt;br /&gt;
Susan has an MA in the History of Textiles &amp;amp; Dress &amp;amp; a PhD in History. 'The Clothing of the Common Sort, 1570-1700', which Susan co-authored with the late Professor Margaret Spufford, is the latest volume to be published in the Pasold Studies in Textile History Series (OUP). Currently a freelance lecturer &amp;amp; researcher Susan has experience of working in museums, libraries &amp;amp; archives. She enjoys reading, walking (particularly along the bank of the River Deben near where she lives), trying out 'textile related' crafts &amp;amp; spending time with her 14 month old grandson. &lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
==Axel Hee Rømer==&lt;br /&gt;
&lt;br /&gt;
[[File:20431748 10213882415363783 7335089318614997891 n.jpg|150px|thumb|left|Axel Hee Rømer]]&lt;br /&gt;
&lt;br /&gt;
I study Medieval and Renaissance Archaeology at the University of Aarhus in Denmark. I've got interested in sailors lives under my bachelor work, and wanted to learn more about maritime culture in the renaissance and early modern period.&lt;br /&gt;
&lt;br /&gt;
I like the outdoors, archaeology, music, food and traveling.&lt;br /&gt;
&lt;br /&gt;
==Deborah Sherlock==&lt;br /&gt;
&lt;br /&gt;
[[File:Deborah_Sherlock_hill_walking.jpg|150px|thumb|left|Deborah Sherlock hill walking]]&lt;br /&gt;
&lt;br /&gt;
'''Deborah Sherlock''' is an academic librarian at Queen's University Belfast. She holds a PhD in history, also from Queen's, and this was published in 2009 as ''Women, marriage and property in the wealthy landed class in Ireland, 1750-1850'' (MUP). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Likes&amp;lt;/u&amp;gt;: Running, trees, beaches, her GSD/Lab cross Indi and of course her husband Kieran and two young children Joe and Lucia.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;u&amp;gt;Favourite place on Earth&amp;lt;/u&amp;gt;: Donegal, on the beach, all seasons.&lt;br /&gt;
----&lt;br /&gt;
==Samantha Thompson==&lt;br /&gt;
&lt;br /&gt;
[[File:Samantha Thompson.jpg|150px|thumb|left|Sam in the stacks.]]&lt;br /&gt;
&lt;br /&gt;
'''Samantha Thompson''' is currently a government and local history archivist for one of Canada’s largest municipalities. She has worked with special collections in several Canadian universities and museums. She holds a PhD in philosophy from the University of Toronto and an MLIS from Western University. She is also a musician and a salted snacks enthusiast. To find out more about what archivists do so you can cheer them on (they deserve it) check out her series [https://peelarchivesblog.com/category/archives-faqs-and-facts/ &amp;quot;Archives FAQs and Facts&amp;quot;].&lt;br /&gt;
&lt;br /&gt;
----&lt;/div&gt;</summary>
		<author><name>SusanMee</name></author>	</entry>

	</feed>